Riverflux Audio · Mixing guide

Hardanger fiddle / hardingfele multi-mic phase: bridge + bow vs understring body, room/OH, and Norwegian folk fold

Close spots on the Hardanger bridge and bow feel huge in the booth and in cans. On phone speakers or YouTube mono fold, bow attack, Mid, and sympathetic understring bloom often thin or cancel against stereo OH and room paths that carry the same phrase a few milliseconds later. Norwegian folk ensemble beds (second hardingfele, fiddle, langeleik, accordion, voice) stack the same problem. That is usually polarity and arrival time between bridge/bow spots and shared beds, plus a stereo bed that was never folded before send. Fix polarity and small delays first. Frequency-aware phase repair belongs only after residual L/R fights remain on stereo beds before mono fold. Distinct from nyckelharpa, string section, chamber strings, and hurdy-gurdy: this page is about Norwegian Hardanger fiddle / hardingfele (and Norwegian folk companion beds) alone. Cross-links: nyckelharpa, string section, chamber, hurdy-gurdy, field, livestream.

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PHIXER is free stereo phase-repair (VST3/CLAP/AU · Win/Mac/Linux) from Riverflux Audio. Frequency-aware phase rotation for leftover L/R fights on stereo material. It is not a compressor, not a widener, and not a substitute for mic placement or mono audition of the stream or mix bus. Polarity and timing first; PHIXER after residual spectral fights.

What Hardanger / hardingfele multi-mic phase failure sounds like

Fast mono audition (about 60 seconds)

  1. Solo the stream / mix bus (not only booth headphones). Flip a utility to mono.
  2. A/B Hardanger bridge/bow spots muted vs open under stereo OH and room. Note what disappears: bow bite, Mid, understring bloom, body warmth.
  3. Solo pairs: bridge vs bow, Hardanger vs second hardingfele/fiddle/langeleik bed, spot vs OH, body/understring secondary vs hero close.
  4. Check correlation on the delivery bus, then with the full Norwegian folk ensemble bed muted vs open.

Order of operations (before spectral phase rotation)

1. Polarity between bridge/bow spots and shared OH / room / understring body

Flip bridge or bow spots vs stereo OH, or Hardanger vs companion bed, when body or Mid return immediately on a clear phrase. Guide: polarity vs phase. Cousins: nyckelharpa, string section, hurdy-gurdy.

2. Small delay align secondary paths to the hero Hardanger image

OH, room, and body/understring secondary often arrive later than close bridge/bow spots. A few samples of delay on the secondary often restores body better than EQ for "more Hardanger."

3. One hero Hardanger image to the stream or mix bus

Do not send every bridge, bow, body/understring, room, and OH all hot into the livestream or print. Pick a hero Mid-safe bed (often a focused stereo OH plus selective bridge/bow spot), keep extras muted or low. Parallel stacks are classic thin-hardingfele on phone fold. Related: overhead & room.

4. Prefer hero bridge/bow as the tone; quieter color spots

Secondary body and understring closes should color proximity and sympathetic identity, not replace the hero image for the stream mix. If every close sits at full level under a loud OH, mono fold almost always hollows the Hardanger bed.

5. Skip wideners and Haas on Hardanger beds before fold

Short-delay width and stereo imagers make booth headphones shimmer and phones hollow. Keep critical low-mid and understring bloom centered for stream and print.

6. Only then audition residual L/R spectral fights

If a stereo bed must stay stereo and fold still hollows a band after the steps above, gentle frequency-aware phase rotation can help. Prove it with mono A/B, rotator bypassed vs engaged.

Path types and typical failure modes

PathCommon mono failureFirst fix
Bridge/bow spots + stereo OHBody / Mid cancel on streamPolarity; delay secondary; quieter secondary
Hardanger spot + body/understring + roomHollow bow attack, thin sympathetic bloomPolarity + timing; hero Mid-safe path
Hardanger + second hardingfele / fiddle / langeleik / accordion bedHero vs companion fight on phonePolarity + delay; hero image
Stereo pair hard L/R across bridge/bodyHuge in cans, thin on phoneCenter critical lows; simplify width
Board / matrix → OBS / YouTubeFine in booth, hollow for viewersOBS livestream / YouTube mono

Studio / livestream checklist (to send)

1. Label bridge vs bow vs body/understring vs OH vs room vs companion bed

Name bridge spots, bow, understring body secondary, second hardingfele/fiddle/langeleik/accordion/voice, stereo OH, and room so operators know what hits the livestream or print. Ambiguous stacks get left open and comb on fold.

2. Mono-check delivery bus alone, then with full Norwegian folk ensemble bed

Solo bow body and Mid in mono. Then open understring bloom and bridge bite in mono. Note fights between secondary color and hero bed.

3. Watch phone, YouTube, and social destinations

Most remote viewers hear mono or near-mono. Guides: YouTube / social mono, OBS livestream, TikTok / Reels / Shorts.

4. Re-check after stand / seating / angle moves

Instrument angle and mic height change distance and bleed. Flip polarity again after you move stands, change OH height, or re-seat the player.

When PHIXER helps

Decision table

You notice…First tryWhy
Body thins when OH opens under bridge/bow spotsPolarity; delay secondary; quieter secondaryArrival-time fight
Hardanger + companion harsh and hollowPolarity; timing; hero Mid-safe pathDual-path spot + companion
Fine in booth, thin on phoneMono delivery bus; pull extrasBooth ≠ viewer fold
Stereo bed still cancels by bandPHIXER on that stereo bedResidual spectral L/R fight
Mono Hardanger alone is dullTone / EQ / gain / mic choiceNot an L/R repair job

When NOT to use PHIXER here

Quick path: Solo delivery bus in mono → polarity bridge/bow spots vs OH/room/understring → delay-align secondary → one hero image → quieter extras under hero → skip Haas/imagers → mono-check with full Norwegian folk ensemble bed → PHIXER only for leftover stereo cancellation on a stereo bed → fold again for stream / studio print.

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